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Unfortunately, many are paying a very steep price for that. On one hand, Microsoft is pretty clear that instant messaging traffic (text) is sent to its servers as well as the recipient.

I don’t believe Skype (which is now owned by Microsoft) is recording your calls. If there’s a Skype-to-Skype connection, it may be encrypted end-to-end, but messages sent to the Skype servers are encrypted only en route, and arrive there unencrypted.




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Louis Crosshairs: In the Intersection of the Theatre of War and the Theatre of War Odai Johnson, University of Washington Finding Austria in the Zauberstück Patrick King, Tufts University 'Trans-' in the Trans-Atlantic British Community: 1715-1743 Michal Kobialka, University of Minnesota Arlequin's Critical Body: Alterity and Satire in Marginal French Theatre Jeffrey Leichman, Louisiana State University The Transglobal Arlecchino: Delisle's Özgül Akıncı, University of British Colombia My Slow Death As an Emerging Academic or The Fast Death of Peace Process in Turkey Ron Athey's Queer Blood; or, How to Have Safe Spectatorship in an Epidemic William Burch, Rutgers University Absence and Material: On Shocking Bodies in Performance Giorelle Timothy Diokno, University of Toronto Hunger Strikes, Forced Feedings, and Histories of Biopower Jeff Paden, Florida State University Performing Justice: Indigenous Artistic Responses to Systemic Violence and Judicial Failure Hannah Rackow, York University The Hague War Crimes Tribunal in Transition: The Citizen Witness in a Moment of Change Graham White, University of Roehampton Vernacular Hero: Exploring The Construction of Toussaint Louverture Kristen Wright, Cornell University Early Modern Aliens: Seventeenth Century SETI Onstage Vivian Appler, College of Charleston, Convenor Loaded Acts: Spectacles of Gunplay in American Performance Meredith Conti, James Madison University Virginia Anderson, Connecticut College Transition, Transfiguration, and the Performance of Tuberculosis: Sentimental Resistance in a Scientific Age Roberta Barker, Dalhousie University The Numbers Don't Lie: Regimes of Truth in Big Data Taylor Black, New York University Transforming Theatre and Emergency Medicine: Faultline Theatre Project's as Community Manifesto Kate Bredeson, Reed College "Now, Gentlemen, Time Me": A Cognitive Approach to Nineteenth-Century Surgical Performance Shelby Brewster, University of Pittsburgh Science and Gender Transgression in Susan Glaspell's Theatrical Laboratory: The Female Scientist in Kerri Ann Considine, University of Tennessee Antonin Artaud--Vector: The Plague and Performance History Marianne Di Quattro, Rollins College Theatre as Method for Experimental Transdisciplinarity in the Cognitive Neuroscience Lab Yelena Gluzman, University of California, San Diego The Psychologization of US Culture and the Broadway Musical Aleksei Grinenko, The Graduate Center, CUNY Transforming the Dark: Luminous Paint and the Early Twentieth-Century Stage Beth Kattelman, The Ohio State University Our bodies, Ourselves, Our Cars, Our Lives: Using Speculative Design to Investigate the Messy Biopolitics of Emerging Technologies Rachel Murray, Parsons, The New School Illness in Artaud's (1925) Rebecca Ormiston, Stanford University Medical Simulations as Theatrical Laboratory: Transposing Case Studies into Character Work Melissa Porterfield, Valdosta State University Transmission and Translation in the History of Science: Performative Acts Aileen Robinson, Northwestern/ Stanford University A Lecture on Heads: Phrenology and Protean Farce Marlis Schweitzer, York University The Transformative Effects of Addiction and the Limits of Medical Knowledge in the Progressive Era Max Shulman, University of Colorado at Colorado Springs Time's Possibilities: Transformations of Science and Stage Jeanne Tiehen, University of Kansas "There are channels, and thus there must be noise": Traducing the Relations between Science and Theatre Mike Vanden Heuval, University of Wisconsin-Madison What does Transspecies Performance have to do with Non-Human Animals?